When the eyes move, the eardrums move, too

January 23, 2018 by Kara Manke, Duke University
The eyes and eardrums move in sync. Credit: Jessi Cruger and David Murphy, Duke University.

Simply moving the eyes triggers the eardrums to move too, says a new study by Duke University neuroscientists.

The researchers found that keeping the head still but shifting the eyes to one side or the other sparks vibrations in the eardrums, even in the absence of any sounds.

Surprisingly, these eardrum vibrations start slightly before the eyes move, indicating that motion in the ears and the eyes are controlled by the same motor commands deep within the .

"It's like the brain is saying, 'I'm going to move the eyes, I better tell the eardrums, too,'" said Jennifer Groh, a professor of psychology and neuroscience at Duke.

The findings, which were replicated in both humans and rhesus monkeys, provide new insight into how the brain coordinates what we see and what we hear. It may also lead to new understanding of hearing disorders, such as difficulty following a conversation in a crowded room.

The paper appeared Jan. 23 in Proceedings of the National Academy of Sciences.

It's no secret that the eyes and ears work together to make sense of the sights and sounds around us. Most people find it easier to understand somebody if they are looking at them and watching their lips move. And in a famous illusion called the McGurk Effect, videos of lip cues dubbed with mismatched audio cause people to hear the wrong sound.

But researchers are still puzzling over where and how the brain combines these two very different types of sensory information.

"Our brains would like to match up what we see and what we hear according to where these stimuli are coming from, but the visual system and the auditory system figure out where stimuli are located in two completely different ways," said Groh, who holds a joint appointment in the department of neurobiology at Duke. "The eyes are giving you a camera-like snapshot of the visual scene, whereas for sounds, you have to calculate where they are coming from based on differences in timing and loudness across the two ears."

Because the eyes are usually darting about within the head, the visual and auditory worlds are constantly in flux with respect to one another, Groh added.

In an experiment designed by Kurtis Gruters, a formal in Groh's lab and co-first author on the paper, 16 participants were asked to sit in a dark room and follow shifting LED lights with their eyes. Each participant also wore small microphones in their ear canals that were sensitive enough to pick up the slight vibrations created when the eardrum sways back and forth.

Though eardrums vibrate primarily in response to outside sounds, the brain can also control their movements using small bones in the middle ear and hair cells in the cochlea. These mechanisms help modulate the volume of sounds that ultimately reach the inner ear and brain, and produce small sounds known as otoacoustic emissions.

Gruters found that when the eyes moved, both eardrums moved in sync with one another, one side bulging inward at the same time the other side bulged outward. They continued to vibrate back and forth together until shortly after the eyes stopped moving. Eye movements in opposite directions produced opposite patterns of vibrations.

Larger eye movements also triggered bigger vibrations than smaller eye movements, the team found.

"The fact that these eardrum movements are encoding spatial information about eye movements means that they may be useful for helping our brains merge visual and auditory space," said David Murphy, a doctoral student in Groh's lab and co-first author on the paper. "It could also signify a marker of a healthy interaction between the auditory and visual systems."

The team, which included Christopher Shera at the University of Southern California and David W. Smith of the University of Florida, is still investigating how these eardrum vibrations impact what we hear, and what role they may play in hearing disorders. In future experiments, they will look at whether up and down also cause unique signatures in eardrum vibrations.

"The eardrum movements literally contain information about what the eyes are doing," Groh said. "This demonstrates that these two sensory pathways are coupled, and they are coupled at the earliest points."

Explore further: Why we look at the puppet, not the ventriloquist

More information: Kurtis G. Gruters et al, The eardrums move when the eyes move: A multisensory effect on the mechanics of hearing, Proceedings of the National Academy of Sciences (2018). DOI: 10.1073/pnas.1717948115

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DonGateley
not rated yet Jan 23, 2018
This system must not work very well for me. I have found that if I really want to hear what a live performance of jazz or classical music contains I must close my eyes. The difference in my perception and ability to focus and distinguish parts within the performance is greatly increased when I close my eyes. To a smaller extent this is also true even with headphones. For me open eyes means less musical comprehension.
RobertKarlStonjek
not rated yet Jan 24, 2018
The paper refers to the involuntary saccades that occur around 3 per second. The accompanying blanking of conscious perception may well impact on conscious perception generally, the question of whether consciousness or other cognitive processes are blanked three times per second is an interesting one: it makes sense from a neuronal/brain context that no process can be continuous and without a break of any kind.

I note that under some conditions the blanking process fails and people do see the jerking motion of their eyes, usually intermittently in old age. There is a similar phenomena that is reported by old people regarding the auditory system that I have reported by a number of very old people but previously could not think of any reason for it, that is the belief that someone is throwing stones onto their roof. The sound they hear would be very similar to short vibrations of the cochlea, three per second would sound like a pebble bouncing down a tin roof.
michael_frishberg
not rated yet Jan 30, 2018
For me open eyes means less musical comprehension.

yes, but in a more natural setting, you better keep your eyes open, so you can see and hear that lion's roar.

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