Researchers find that listening abilities depend on rhythms in the brain

November 14, 2012, Max Planck Society
Listeners‘ brain rhythms synchronize with the acoustic stimulus, which causes hearing abilities to 'oscillate.'

(Medical Xpress)—Naturally, our brain activity waxes and wanes. When listening, this "oscillation" synchronizes to the sounds we are hearing. Researchers at the Max Planck Institute have found that this influences the way we listen. Hearing abilities also "oscillate" and depend on the exact timing of one's brain rhythms. This discovery that sound, brain, and behaviour are so intimately coupled will help us to learn more about listening abilities in hearing loss.

Our world is full of cyclic phenomena: For example, many people experience their changing over the course of a day. Maybe you yourself are more alert in the morning, others more in the afternoon. Bodily functions cyclically change or "oscillate" with environmental rhythms, like light and dark, and this in turn seems to govern our perception and behaviors. One might conclude that we are slaves to our own , which in turn are slaves to environmental light–dark cycles.

A hard-to-prove idea in neuroscience is that such couplings between rhythms in the environment, rhythms in the brain, and our behaviors are also present at much finer time scales. Molly Henry and Jonas Obleser from the Research Group "Auditory Cognition" now followed up on this recurrent idea by investigating the listening brain.

This idea holds fascinating implications for the way humans process speech and music: Imagine the melodic contour of a or your favorite going up and down. If your brain becomes coupled to, or "entrained" by, these melodic changes, Henry and Obleser reasoned, then you might also be better prepared to expect fleeting but important sounds occurring in what the voice is saying, for example, a "d" versus a "t".

The simple "fleeting sound" in the scientists' experiment was a very short and very hard-to-detect silent gap (about one one-hundredth of a second) embedded in a simplified version of a melodic contour, which slowly and cyclically changed its pitch at a rate of three cycles per second (3 Hz).

To be able to track each listener's brain activity on a millisecond basis, Henry and Obleser recorded the electroencephalographic signal from listeners' scalps. First, the authors demonstrated that every listener's brain was "dragged along" (this is what entrainment, a French word, literally means) by the slow cyclic changes in melody; listeners' neural activity waxed and waned. Second, the listeners' ability to discover the fleeting gaps hidden in the melodic changes was by no means constant over time. Instead, it also "oscillated" and was governed by the brain's waxing and waning. The researchers could predict from a listener's slow brain wave whether or not an upcoming gap would be detected or would slip under the radar.

Why is that? "The slow waxings and wanings of are called neural oscillations. They regulate our ability to process incoming information", Molly Henry explains. Jonas Obleser adds that "from these findings, an important conclusion emerges: All acoustic fluctuations we encounter appear to shape our brain's activity. Apparently, our brain uses these rhythmic fluctuations to be prepared best for processing important upcoming information".

The researchers hope to be able to use the brain's coupling to its acoustic environment as a new measure to study the problems of listeners with or people who stutter.

Explore further: Noisy surroundings take toll on short-term memory

More information: Henry, M.J. & Obleser, J. (2012). "Frequency modulation entrains slow neural oscillations and optimizes human listening behavior". Proceedings of the National Academy of Sciences Online: Early Edition (EE), November 12, 2012.

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not rated yet Nov 14, 2012
A good statistical parametric mapping from a (acoustical) approach.

not rated yet Nov 14, 2012
For the sake of discussiion:

Does stochastic resonance have a place in brain activity?
1 / 5 (1) Nov 14, 2012
Would this possibly implicate a connection on how the "shut up gun" is ironically the best cure for stuttering?
not rated yet Nov 14, 2012
I use music as a tool for processing information without actively thinking. When I need to be creative, I find that music has the tendency to expand my range of consideration; sort of like being ADD on purpose, but focusing it through the music drawing out emotions.

Does this sound crazy?
5 / 5 (1) Nov 15, 2012
All thinking is a form of activity.
Stochastic resonances is an off-the-charts, extreme concept.

If noise does not exist, then filters can not form.
5 / 5 (2) Nov 17, 2012
I wonder if this plays a role in the difficulty in listening to a different accent. Accents often throw off the timing we usually associate with the consonants within words.
not rated yet Nov 19, 2012
Imagine a 'universal' melody (sound) - and for what you have in mind - (your language spoken 'accent'-free)with a rhythm that is foreign to human speech - simply fast forward human speech to a point that is no longer recognized as human speech.

The further removed an acoustical event from your 'repertoire' of sounds experienced, the greater the 'difficulty' to assign a 'consensus' meaning to the acoustical event you experience.
A hypothesis.

One can only guess to what aspect of sound you have in mind.

The researchers assert 'the timing'(your expression for temporal aspects of sound) is fundamental to all senses the brain is able to process. Going far beyond the difficulty arising from timbre, assuming timbre is what you meant.

Your word 'associate' is key to assigning meanings to sounds in whatever form we are able to experience them.

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